It seems not only has my writing gotten a small but noticeable spike in interest with fans of my previous life’s work, but it’s also attracted the attention of someone I knew in that life.

I should be glad I suppose, and to some measure I am.  But I’m also terrified because the fact that I think I might have been Phil isn’t exactly a well-guarded secret, and the fact that my writing isn’t- nor can it ever be- quite the same as I have another 30 years of living as a completely different person behind it now.  I have to tread very lightly or I’ll risk immense ridicule.  I find that keeping my public persona divorced from my past life claims was a very good decision but I worry that it won’t be enough.

Nonetheless, I take some solace in knowing I can still write things that my previous life’s fans enjoy.  Even if they don’t know it’s me, if I can make them happy then I’ve done what I set out to do.

I’m entering new and uncharted territory here.  There is nothing in my experience- in past lives or in my current one- to prepare me for the extreme positive and negative possibilities that present themselves.

At least I’ve still got the I Ching.  That hasn’t changed, nor will it change in another thousand years I imagine.  I do my readings with three silver half-dollars from the 40s and 50s (two “Walking Liberty” type and one “Ben Franklin” type) and it seems to bring me some direction and stability through that link to an earlier time, even if I’m just tapping into the answers I already knew and engaging in superstitious sympathetic magic.

I’m due for another reading on my current condition tonight, I think.

Memory From A While Ago

I had a memory from a week or two ago that I only now feel emotionally prepared to talk about.

I remember seeing my own autopsy as Phil.  Specifically, I remember seeing my own brain and feeling a profound sense of despair as it was prodded, a very large blackish-red clot was found (in the right hemisphere if memory serves me), the brain was weighed (slightly below average weight, I seem to recall), and that was it.  The brain that had been my conduit to the divine was just a lump of useless medical waste; there was nothing special about it.

The doctors performing the autopsy had never read my work and knew nothing about me, as far as I could tell.  To them I was some old man  who had died the way so many old men before had died, of a massive blood clot that had triggered a chain reaction and ultimately, heart failure.

And I think at that moment I was in such despair that I began to forget everything I had ever done or been, because it no longer mattered.  I felt I had been cheated, I thought I would be whisked away to paradise when I died and I had welcomed the end… I had even opened the door of my apartment and staggered to the sofa so they’d find me just like the vision I had a few years earlier, slumped between the sofa and the coffee table.  I thought my destiny was set and I let it happen on purpose.  For what?  Such hubris!  Barry told me to get to a hospital, didn’t he?

I suspect neglect to injury is a kind of self-harm that has real consequences, in hindsight.  I could have survived that stroke if I’d gotten to a doctor in time.  I know this because I was well enough to drive home, open my front door, and get in position to make a grand gesture.  I could have lived, but I decided to act out my visions instead and all I got in return was a front row seat to my own autopsy.  No Valis.  No palm tree garden.  Just death, then another life where I spent 29 years wondering what the hell was wrong with me.

Next time, so long as I’m conscious enough to get help and medical assistance is an option, I guess I’ll follow what amounts to “due diligence” in the ontological sense.  Once we are alive, we have an ontological duty to remain alive per se; Kant, you smug bastard, you were right after all.

*   *   *

A stroke is a medical emergency that requires immediate attention.  Don’t wait.

A Lasting Effect

I find that my response to body horror is still intensely strong almost 2 years after my last graphic memories of the war broke.

I can say for an absolute certainty that I was jaded about body horror before.  I think if anything, I found it uninteresting because it moved me so little.  Now I find myself avoidant of it because my response is too strong.

I wish I could get those images out of my head.  You can look at photographs from WWI and it doesn’t do it justice; you can’t, for instance, see the sickly purple color of a bloated corpse or smell the odor of death.  It can’t give you the feeling of accidentally touching cold, dead skin and it can’t give you the immense emotional shock of seeing men you’ve trained with become red stains on the earth.

I feel nauseated now just thinking of it.  This wouldn’t have even come up if I hadn’t come across some body horror-themed artwork today which, though stylized and unrealistic, still drew me into an unwelcome place mentally.

I think this has a lot to do with why I became a vegetarian.

New Discovery

So I found a biography of William Longespee on Wikisource, copied from “Dictionary of National Biography 1885-1900.”  It confirms that I was a bit of a yes-man in those days and did some regrettable things, but it also seems to be full of useful facts.

I’m still going over it but one interesting fact stands out: Count William did hold a possession in France, the castle of Pontorson in Normandy.

Pontorson, incidentally, is VERY close to Mont St. Michel, which now gives me a valid excuse to go there when I can get to France, though I have wanted a reason to go there for many years now  Sadly, I can find no mention of the castle so it seems it is no longer standing.

So I did own land in France… but only a castle on the very edges, which I no doubt had lost by 1215.

Latest Reading

After a blitz of promotion for my new book, I did another reading to get a bearing on my current condition.

I got hexagram 58 changing to hexagram 39, which long story short I interpreted to very clearly mean “Well done, now that’s far enough.  Anything more would be too much and would be counter-productive.  Wait a while and watch it grow.”  In particular, the changes in lines 1-4 told of good progress and auspicious circumstances that would be stymied by too much additional effort.

Fair enough.  I can take a hint.  If nothing else the oracle has become a helpful companion for making decisions I’m not sure of, and seems to err on the side of caution while still giving prompts to take risks when the time is right.

I’m still going to print up some business cards and promote my work whenever the chance comes up but the initial rush of “BUY MY BOOK!” promoting and risky decisions is over for now.  I took a big risk, it seems to have had at least a modest payoff, and I’m not about to kill the goose before it even has a chance to lay golden eggs.

So This I Ching thing…

I disregarded my initial interpretation of my reading on the topic of promoting my new book, but made sure to at least adhere to the idea of staying on the side of correctness (both by following rules on the board where I posted and by not stating that I was Phil’s reincarnation) while still taking the risk to move forward and get the attention of those who might appreciate my latest work.

I was initially met with an angry exchange of comments, but it was from someone I had exchanged rash comments with before.  I kept my comments measured and reserved, and refrained from gloating when someone agreed with me.  Soon, the angry exchange from this person actually backfired on them and worked strongly to my favor!

In a roundabout way, I guess the oracle did help since it advised me that I could potentially take some light abuse and still end up better for that.  Still, I can’t say it did anything other than give me a little encouragement to make a bold move when a bold move was needed.

So is there anything special about the I Ching?  I don’t know yet.  I think I’ll keep playing with it for a while though.  This result is intriguing.

Edit: The curmudgeon who gave me a hard time got under the skin of the moderators on this particular board so much that he got himself banned.  Apparently they were none too thrilled about him trashing a book he hadn’t even read and then complaining to them about the content of my post.  I LOL’d.

The Ball Is Rolling

My new book is being debuted this weekend.  It’s all kind of rushed, but it’s happening.

I have so much riding on this book.  It’s my first serious foray into science fiction in this life, my first attempt to synthesize my previous life’s style with my current one, my first properly “new” novel in five years that wasn’t a backlogged project or a sequel… I don’t think I can really name all of the “firsts” that come with it!

I’m so excited!  My next step is to hit all of the literary, artistic, and social circles in the Northwest I can find and promote my work.  And for once, given the initial reaction I’m getting to the announcements I made, I’m starting to feel like my promise not to use my claim that I was Phil to promote my work is a promise I can keep after all.

Now the big question: do I still have it after all these years?  Does writing talent persist beyond the grave, and will it be enough to succeed on my own merits?  And will they still love me now, as a newcomer with no name recognition?

I’ll sleep well enough without answering these questions, but they won’t be far from my mind.

Academia It Is, Then!

With little else to go on, I decided to ask the I Ching if my upcoming book is the sort of thing my previous life’s fans would like.

The results were interesting and hard to interpret at first.  I got Hexagram 55 changing to Hexagram 45.  After reading through a number of sources, here’s what I gather.

The key is in the lines that change and what they mean.  Lines 1, 3, and 5 change.

The change in line 1 is hard to interpret.  In Hexagram 55 it means the subject and their mate are well-bonded, but in Hexagram 45 it changes to the subject must call upon help to overcome the temporary difficulty in achieving union.  I can only guess that this will mean that my goals will require help.

The change in line 3 doesn’t bring much change.  In Hexagram 55 it means occlusion and a minor injury that is not one’s own fault, and in Hexagram 45 it means there is no harm in going forward but slight embarrassment may follow.  I’m guessing this may mean slight injury, probably to the ego, as part of the process.

The change in line 5 is where it gets interesting.  In Hexagram 55 it means the gathering of men of brilliant ability and a success after perseverance.  In Hexagram 45, it means the union of all in a place of dignity and while not everyone will be in it, being persistent in virtue brings all on board.  I’m guessing I need to get to a place where a number of bright people are willing to look at my work and although not all will be on board, the greater number will respect my work if I am sincere.

The only way I can interpret this is that I will avoid much frustration if I skip going directly to the fans and go instead to academics and be shrewd and upright in my dealings with them.  I think I need to get my book in the hands of anyone on my university faculty who is up for reading the works of student authors regardless of major.  I may still get my ego bruised but it’s a matter of trading broken arms for slight embarrassments, so to speak.  I have a feeling trying to push my work directly to my previous life’s fans without being shrewd about who I show it to would be a bad idea even if I don’t claim I was Phil.

Right then.  Let’s put the oracle to the test.  Stay tuned…

Total Exhaustion

I’m going to take a prolonged break from writing.

I finished and submitted the final draft of the novel that’s been driving me mad for the last 8 or 9 months.  While I feel that I’ve really outdone myself with the quality of my work, having to go over it again and again ad nauseum has actually caused me to grow extremely tired of it.

Some of the irritating notes made by my publisher that showed a lack of understanding about what I was going for actually brought back memories of my time as Phil, and how I would sometimes struggle to preserve my vision against a call for extreme edits.  I feel I’ve managed to keep the book’s character for the most part but I always feel at odds with suggestions to change things in a way that doesn’t mesh well with the rest of the book or my original ideas.

Also, it’s a relief to know that the book is now in my publisher’s hands and I have nothing more on my end to take care of.  But I feel like that tension has been the only thing keeping me awake the last couple of weeks and I suddenly want to sleep, though if I fall asleep now I’ll wake up at an inconvenient hour of the morning and have to figure out what to do with the rest of my day.

I’m creatively and physically exhausted from all this, and I’m still not done.  Once I have the final release date and a few sundry details nailed down, I’m going to go out of my way to promote this work.  I’ve been published since 2010 but I never thought anything I wrote had this much potential or appeal, so I’ll be pushing it just about everywhere but the sites I talk about my past lives.

What a week…

This week has been a roller coaster, with more discoveries than I’ve had in a very long time.  I’ve had memories and confirmations in a thick cluster, with scenes from Georgian, Victorian, and WWI eras coming into focus.  I’m now pretty sure I know when the last life I was probably a woman would have been (over 200 years ago) and I now know that I was probably in Rochester at some point in the first half of the 19th century.

Also, it looks like my nail biting is done.  I’m going to have just enough time to make some final edits to my manuscript and have it out this month (provided my publisher gets the finished file when I send it).