The project I have wanted to make since 2023 is about to begin production.
I will take my first trip to places from Jack’s service at the Western Front next month. I won’t say when exactly but it’s definitely next month unless something goes wrong.
Basically, I decided that I could wait forever, for the perfect conditions, or I could just go do it and put my lessons to good use.
However, I have decided to leave all overt references to rebirth claims out of the text. Instead I will be conveying the soundest Dharma I know, in free verse.
I talked about my claims before I knew the gravity of what I was claiming. I made the mistake of agreeing to make this as an art project and taking donations to do so; thus I am obligated morally to deliver SOMETHING but I’m not comfortable making an overt claim in a book meant for publication even though I don’t intend to keep any of the money from this.
I have one more set of studies at the lab, this one testing an old Agfa Box camera I found for €10 at a thrift store at the Commonwealth cemetery in Zollstock (I already tested the Zeiss there).

Furthermore, I would eventually like to do some photos in the UK as well but this would be harder as the UK is no longer part of the EU. There are additional issues which I won’t go into here but they are along the same lines as the reasons I won’t be visiting Texas, Saudi Arabia, or Russia any time soon.
As I now reside in Europe, this is probably not the last trip. I may go and reshoot anything that doesn’t turn out. I may also take some trips to places from Count William’s life in the future but not for this project.
It is enough to focus on the Western Front primarily. Though I do intend to go to Bouvines as well since that’s where this whole series of missteps really started in earnest (it’s not original cause but it is decidedly a fork in the road). But between Houplines, Armentieres, and Ypres I have enough fodder to use up most of the film I bought for this project.
I’m excited but also relieved. I can’t live in the past forever, but I can’t forget the lessons of that past either, or where those mistakes eventually led me. And now that I have resolved a central contradiction between my vision as an artist, my obligations as a layperson, and my obligations as a Dharma practitioner I can move forward without this project feeling like a burden any more.
















